Having a nosey

There's a newly-posted poem over at frankenstina. Written some time ago, it came to mind as I was playing around on Google Earth, seeing what of interest I could find on Street View. One of their camera points looks directly at our old house in Glasgow, and it felt extremely odd to look at how little it has changed in the years since we sold it (can it really be 5 years? More?). However, one thing the new owners have changed is the door - both doors, actually. For some unknown reason they've matched the neighbours in removing the panels (which were reinforced in steel plate by a paranoid owner during WW1, I think) of the Victorian storm doors and replacing them with glass. And they've obviously put in a modern inner door, with quite pretty glass as far as I can see, but have thereby lost the rather wonderful pale green bevelled panels of glass which were a feature of the original door.

I must admit to having ditched the identical Victorian storm doors in our current house, now replaced by a completely anachronistic and wonderfully insulated, draught-proof, double-glazed, all-singing-all-dancing door from Everest (ok - it neither sings nor dances; if it did I'd ask for my money back). I did it because even installing a lethal wooden door sill didn't stop the howling gale under the inner door even when the storm doors were shut, and I don't regret it for a minute. But I don't see why, if you have a modern inner door, and therefore no need to shut the outer doors during the day, you need light to come through said outer doors. And why, in the name of all that's aesthetically pleasing, paint it black with white highlights?

You'll notice, however, that the windows are still a tasteful green (I think it's called Buckingham Green). They are obviously unchanged from the way they were when I was but a child. This puzzles me, but I shall hold my peace, in a Shakespearian sort of way, and try not to think about how concerned I was about the state of the upstairs window frames just before we sold it. Maybe I was mistaken - or maybe it's a rolling programme.

And thanks, gentle Google, for letting me stare so.

"Home is so Sad"

For the benefit of all to whom I have quoted it over the years, and because I always think of it when I'm about to set off on my travels, I thought I'd reproduce Philip Larkin's poem here as I finish my preparations for another jaunt. Actually, I was always more aware of the pathos of the abandoned house when I was a child - perhaps because we tended to go away in the summer for 8 weeks at a time. At that time in my life, eight weeks felt like forever, and I recall how our house seemed totally strange when we returned at the end of the summer. Even the end-of-term feeling from the end of June seemed preserved and ineffably sad as we prepared to start school again at the very end of August, in the days when the summer holidays were not rudely terminated in the middle of the month. I think Larkin captures all I have ever felt about this phenomenon.

Home is so Sad
by Philip Larkin
Home is so sad. It stays as it was left, Shaped to the comfort of the last to go As if to win them back. Instead, bereft Of anyone to please, it withers so, Having no heart to put aside the theft And turn again to what it started as, A joyous shot at how things ought to be, Long fallen wide. You can see how it was: Look at the pictures and the cutlery. The music in the piano stool. That vase.