Deeply satisfying

A couple of weeks ago now I finished reading Vikram Seth's An Equal Music - though if I'd read the review published on the Amazon page to which that link takes you, I don't know that I'd have bothered. This book is another of several lent to me by a good friend who knows my taste to such an extent that if she thinks I'd enjoy one I tend to give it a go, and so came to this book cold, as it were, with very little handle on what it was going to turn out to be.

It's a story of music, of love and of loss. The hero, Michael, plays second violin in a string quartet, and though he has a girlfriend - who is a less than satisfactory pupil on the violin - he is filled with regret and longing for the girl he loved when he himself was a student. So in that respect it is a love story, in which I felt he involved himself almost without will, as if he was unable to prevent any of the actions he took after seeing Julia on a London bus. It is significant that it is not the bus he is on at the time - they are bound in different directions and the tension of the situation builds gently but inexorably through the story.

The main player in this novel, however, is music. The tension between the members of the Maggiore quartet rings true, their individual temperaments as taut as the strings of their instruments, the differences between them sublimated in their combined music or - occasionally - wrecking it. I felt I knew these musicians and their constant preoccupation with their art, the way everything is seen in terms of how it will affect their music. When Michael is threatened with the loss of his violin, it is like an impending death; when a fridge in the house where they rehearse makes a noise somewhere between two notes it is identified and it disturbs. Bells sound a perfect G and music enters dreams. And when the Maggiore decide to play Bach's The Art of Fugue it takes over their lives.

The sense of loss permeates the story from the start, although at first I was not sure whose loss it was going to turn out to be. I'm not about to give away this most telling feature, but it works. Seth has brought off the feat of writing about music in such a way as to convince someone who is involved in music-making. And that is where I'll leave this deeply satisfying book.

Inauguration blethers

There was a wonderful moment in today's Presidential Inauguration ceremony - a quiet, reflective moment between the swearing in of V-P Joe Biden and President Obama, when a wonderful quartet played a new take on the melody Simple Gifts. The playing was sublime, and the effect breathtaking. And what did the BBC commentators do?

They talked. They said "We'll let you hear the music in a moment, but first ..." and on they went. Mercifully I had access to Sky HD: no talk at all, just the music. No annoying ticker-tape along the bottom of the screen either; they had this well sewn-up. So apart from an enraged 10 seconds or so I was able to listen, watch and enjoy.

It seems crabbit to moan on such a joyous day for so many people - and I share that joy, as much as any foreigner can. But I'd put these blethers in the stocks in chilly Washington, and with them the chap administering the oath who muddled his word order and could have learned from the aged guy who swore in the V-P.

Final thought? What a job to take on. It showed in Obama's face, I thought, as he walked towards the door onto the podium. In that moment, for all the millions who were waiting for him, he looked totally alone,

Alternative Christmas?

I've been reading Kimberly's take on how ordination changes, among other things, the whole business of Christmas for the ordained. But I'd already been thinking along these lines, for it is not only the ordained who have to fit in the baking, the tree-decoration, the card-writing around other, more pressing activities. In fact, I must have been barely an adult when a totally carefree approach to the season vanished, to be replaced by the situation on which I touched in yesterday's post.

About ten years before I became involved with the church, I started singing in choirs which "did" Christmas. I met Mr B while singing in an a cappella octet which "did", inter alia, Christmas. Christmas occurs in - you've got it - midwinter. The height of the colds/flu/lost voice/wvv season. Suddenly a night out on the town - for in these days I lived in Glasgow - was a dangerous pastime. Who knows what bugs you might meet in a steamy pub? And if you had a duty to the other singers not to let them down ... you get the picture.

And then you find yourself, a singer who likes singing in small groups, married to a singer who is also a church organist. You bear children - and they become choristers. So as well as singing and cooking and being Santa you also end up laundering surplices and ironing ruffs while the organist is away catching his death in the freezing church as he practises or wrestling over an order of service with the incumbent of the day - and, dear reader, we have seen a few of them in our time. The angst is commensurably greater, though you are too busy actually to notice till it's all over.

I've just been chatting to one of our choir from yesterday who is going to her family for Chrismas Day. She won't be cooking, and her daughter-in-law will be doing the domestics. I wondered, fleetingly, if this would ever be our lot. But even as I wondered I knew the answer. For there is a wonderful reward in this church musician caper, in doing your very best to create something beautiful to enhance worship. I don't know what kind of shelf life we have, as singers, but I know full well that my life as Temporary Domestic Goddess will be hugely enriched by the contrast with what has gone before, and right now I can't imagine removing the organist from his home patch over Christmas.

Tomorrow I shall doubtless be laying hay in the manger and rescuing the Holy Family from the big chest in the damp tower, but before that - like now, this minute - I must ice my Christmas cake.