Showing posts with label renovation. Show all posts
Showing posts with label renovation. Show all posts

Friday, October 18, 2013

Home again!


We're ba..a...ck! (All right, that movie wasn't yesterday, but I can't resist the probably inappropriate allusion) A gang of us descended on Holy Trinity Church Dunoon this morning, fighting our way past the men in hard hats who warned us that once inside we'd not get out as they were dismantling scaffolding, negotiating the piles of scaffolding poles and discarded bits of mysterious metalwork to see inside the church we'd left looking desolate and dirty on Low Sunday. We weren't there merely to gawp, but to make it fit for use on Sunday. Gawping, however, came first. To the stranger, it might look as if little had actually changed; the sanctuary, for instance, has paintwork to be done and the central aisle has rough boards covering the space where the various heating systems have had their workings, but the hideous calamine-lotion coloured wooden dado has been replaced by dark red painted plaster and the whole floor is no longer the worm-eaten, rot-weakened potential disaster we had been sitting on top of for all these years. The strangely amateurish platform on which the choir stalls used to sit is gone, the whole area of the choir now restored to its original structure with not a carpet in sight. With any luck, that's how it'll stay. And those of us who've seen the photos of what has been done, we know the awfulness that has been transformed all around us.

The effect was strangely dreamlike - when I sat down as if for a service, I felt the unreality that accompanies dreams of familiar places, and I realised that there have been times in the past where I have indeed had near-nightmares about our church being taken over by people who changed everything so that it no longer felt like the same place. But there's a great feeling about this dream, a dream that includes using that marvellous space for musical performances that the carpetless acoustics can only enhance. And the narthex - just look at the picture of the narthex with its plaster gone and the stone laid bare - reminded me of the lovely buildings we stayed in in Sicily, where the bare stone contrasted with the modernity of the furnishings. I have visions of golden uplighters at floor-level ...

But all this - the enthusiasm with which we all set to work dusting and polishing (all the time hoping that the men on the scaffold tower in the photo don't make too much mess putting in the last window), the laughter, the marching through the rain carrying altar frontals and altar-rail kneelers, the determination to get rid of the foosty cardboard cups that had languished throughout the works in a cupboard under the tower and did odd things to the coffee - all this brought it home once again how important our building is to our worship and our life as a community. People have talked, recently and in the past, of how enlivening it could be for worship to be transferred to a modern space, perhaps one in the town centre where parking would be easy and more people might know we were there and come.

It's not been like that. After the initial hilarity induced by finding ourselves in a strange hall the worship turned out - for myself at least - to be difficult. On the days when I simply didn't feel like going, there was nothing in the environment to give me a nudge towards prayer or mystery. The music was hard going - the piano a sad thing, tending to die a little each time Mr B attacked the keys with anything like a forte; the dead acoustics accentuating the poor sound of the singing so that the less confident gave up singing altogether. The receiving of communion always seemed a tad strange, in that people didn't seem able to achieve a normal sort of progression from seats to front and back again without becoming entangled in each other. You can be jolly about this - and God knows we tried - but it becomes wearisome, a chore. It reminded me of wet days at the CSSM of my childhood holidays, when we had to have our services in a hall rather than on the beach - and there is no way I ever wanted these days back again.

So if anyone asks if this has been a positive experience, I would have to say that it may still turn out to have positive benefits in terms of valuing what you have - but I cannot say I shall miss any tiny bit of the worship over the past 6 months. I became an Episcopalian - I became a Christian, in fact - because of the enabling beauty and numinosity of the two church buildings in which I found myself, and I can't help thinking that we give our leaders an unnecessarily uphill task if we expect them to bring mystery to the mundane on a weekly basis. I don't think our congregation grew in any way because of the convenient location of the hall we were in, and I know for certain that my own spiritual growth was put on hold while I combatted the temptation to go for a walk on a Sunday morning.

Yes, it's good to be going back. And I must add one thing: somehow, we were given the right leader to see us through all this.  How often does that happen?


Monday, April 15, 2013

A pilgrim church?

What makes a church? The answer, the obvious answer, the answer you know to be the right one, is the people. The community that worships together. That's the church. And it was in that spirit that we met today in the venue shown in the photo, the church hall where, once upon a lifetime, I took the Managing Editor of BBC Online and the CEO of No Tosh Ltd to play with their pals in Toddler Group and Playgroup; where the wife of our last Bishop and I told people of the lively worshipping community on Kilbride Hill and encouraged them to join us and bring their children. It is also the hall where for years we went to vote in elections, outside which I used to stand with a CND badge and a stack of leaflets, picketing all those going in to vote and putting up with the banter of the Tories ... I could go on. It's a place with a lot of memories for me, and today and for the next few months I'm going to acquire a new set as it stands in for Holy Trinity church, about to turn into a building site as the lottery-funded renovation gets going.

Interestingly, the hall, which now belongs to the High Kirk and which they are graciously letting us use as we require, used to be a Scottish Episcopal Mission Church - the Church of St Andrew - so in a sense we were returning, with our 19th Century chalice, to roots that predated even the oldest member of the congregation.

How was it for me, do I hear you ask? Well, despite the fact that most of us resolutely sat in the same relative positions as we do in church - you can see two doing that in the picture, setting the trend - it felt nothing like church as usual. That's not to say it was a negative experience, but it wasn't what I look forward to on a Sunday. In the hilarity that preceded the service, it felt being in a holiday house with a large family as people discovered they had a heater overhead and had to strip off layers of clothing, or dropped hymnbooks and rummaged on the floor to retrieve them. The piano turned out to have a broken damper, throwing Mr B into a gloom, though neither gloom nor busted bit seemed to affect the music which miraculously shut everyone up and produced a tense unignorable silence (thanks, Larkin) before the service began.

So the good bits? The children had a room for their activities, with a door that shut, meaning they could make all the noise they wanted and have fun. (I think they did too). It was cosy. We felt like a family, perhaps even more than usual - a family on an outing. The calamine-lotion coloured tongue-and-groove boarding and the Virgin Mary blue of the wall miraculously replicated the interior of Holy Trinity's colour scheme, which raised a smile of recognition when I should have been concentrating. And our priest made it all work with an assurance that was in itself reassuring, interestingly.

On the downside, there was the dead acoustic, the feeling of being crowded, the piano accompanying the singing instead of the organ, the lack of visual beauty, the missing sense of the numinous that pervades our church building. I've worshipped plenty of times in a similar kind of venue, and this felt like one of these ad hoc communions for a meeting - jolly, enthusiastic, but lacking.

Once upon a time we were threatened with the loss of our building, the possibility that we might like to think about some modern, town-centre place of worship. This experience gives us the chance to see what it might have been like. I for one am happy beyond words that hard work and circumstance - and the Heritage Lottery Fund - have made it a temporary one. This week, the work begins on our church on the hill, and late yesterday afternoon we returned there to make a recording, the story of which is told elsewhere.

It was exciting - the acoustic, already fine, was wonderfully lively with the exposure of the stone flagged floor. I look forward to going home ...