Of fear, cheese and a shoogly crozier...

Two rants in a row. Never mind, today feels more positive. Largely, that's the doing of two Argyll and The Isles clergy who managed to assuage the wrath stirred up by The Bigot of Ardentinny and the hapless local paper (do they really think about what they print?), so today I'm celebrating that.

We're so lucky. When you have a Dean who can cheerfully put into amusing perspective the lunacy found in some threads of Christianity and a Bishop whose sermons never fail to inspire, it seems almost worth the angst of worshipping on a badminton court (Andrew, I thank thee for that word). And when the local paper's intransigence and lack of savvy releases you from the tedium of writing half-baked localpaperese (I just made that up) after lunch on a Sunday, you find you have the energy to celebrate on your own blog.

So, from today, my mental image is of +Kevin, behind the altar, singing his own descant to "Sing Hosanna" at the top of his voice. There are others - the shoogly crozier at the beginning, the mitre at a jaunty angle as +K waited to be allowed to bless us (we needed to sing first). And it seems from Facebook that there may have been some cheese-throwing; one hopes it was inadvertent, but one never knows.

The local paper, remember, turned down a piece because it was too theological, didn't have enough "news" So here's today's news.

Do not be afraid.

Or a headline? NO MORE FEAR, SAYS GOD.

Good, eh?

A very Pisky hoolie

Choir at work
Originally uploaded by goforchris.

Other people have posted about last Saturday's lovely service in the Cathedral of The Isles on Cumbrae - not least Dean Swift (I love writing that!) whose day it was - or, more accurately, whose half-day it was: the Provost of the Other Cathedral was also being installed as a Canon, and all stops were duly pulled out for the occasion. So let's start with the image that cliché evokes: the organist for the day was Jonathan Cohen, remembered fondly by a certain age-range as the pianist in Playaway. He came from London specially to play for the Cathedral Choir, all of whom had also made a special effort to be there - from Edinburgh and Glasgow as well as  from Dunoon. We took with us another Dunoon alto who had never been in the cathedral before - she was well bowled over. As usual, we had to rehearse first - a scratch choir is an interesting beast, especially when there are no more than 3 voices to a part. The excitement of what is going on is amplified, if you like, by the frisson of wondering if we all know the notes well enough to come in as and when required, and if that person who claims not to have received the music in advance will lose his/her nerve at the crucial moment. So that, chums, is where my main photo comes from - that intense rehearsal when we not only deal with the music, but whether the new singer will find a red robe to fit without tripping her up - and would it be advisable to process in single file because of all the extra bodies in the nave?

Readers of this blog will know that my association with the cathedral goes back over 40 years, and that I have always sung there, and always in small groups. But there were people there to whom it was all new, and I found myself almost envying them the thrill of the experience, the whiff of incense, the sight of the candles and the gleaming brass, the pattern on the organ pipes from the sun through the windows. On the other hand, I had the thrill of singing Mr B's new anthem - a short setting of the Celtic Blessing "May the road rise to meet you" that had the hairs rising on the back of several necks.

I mentioned, jokingly, the Other Cathedral - the Cathedral of St John the Divine in Oban. Time was when I regarded Oban as a distant place where all the big diocesan happenings took place, but in recent years we have seen a distinct growth in the recognition of the special nature of the Cathedral of The Isles - not least because of the obvious delight felt by successive bishops in being there. A diocese operates most successfully when everyone in it feels tied in some way to everyone else, whether through personal ties made at Synod and meetings, or through the common links to the Bishop and his clergy. (I say "his" not out of sloppy traditionalism but simply because we have not yet appointed a woman to the post). And it will flourish the more when everyone feels welcome at both of the  cathedrals and in every church in Argyll and The Isles.

Our visiting alto's enthusiasm for what she had been a part of bubbled out all the way home through the rain and the rising gales. And what had made the biggest impression? Not +Idris' sermon, not +Kevin, not even the music she had so enjoyed singing - wonderful though each of these had been in their own distinctive ways. No. "Everyone was so friendly - and seemed so happy," she said.

And this is a mission tool that every charge can operate. Smile, children, smile ...

Grey day transfigured

Holy Trinity church
Originally uploaded by goforchris.

It's a grey morning. I'm already damp because my umbrella was in the car and I had to fight my way down the drooping garden so my legs are uncomfortable and I'm already chilled. As we swish up the back streets of Dunoon to church, I wonder what I'm doing. My mood matches the day; most of my summer activities are over; the sun has gone. I'd have been better staying in bed with a book. The organist seems in no better fettle, and I forgot to tell him we are supposed to be keeping the Transfiguration, so we don't really speak. Besides, we're a bit late.

There is no heating in church - it is, after all, summer - as I sort out hymnbook and liturgy (thank God - not the Grey Book). There are also no children, as the Rector is on holiday and has taken Mrs Rector who does the Godly play at the back of the church. Apart from some scraping and banging from the rear, later revealed as "sorting the electrics for the coffee", it is relatively quiet as the organ music begins. I recognise the music after the opening, drifting notes: the organist is improvising on a modern/traditional scottish folk tune. It is absolutely, heart-rendingly beautiful.

I am plainly not alone in thinking this. I hear a whisper from somewhere behind me: Ohhh - that's lovely. And a stillness falls on the people, even those who are still arriving. Prayer is suddenly possible, distraction and restlessness quietened by the lilting line, and I am glad I have come. Even when the music enters a dark, sombre place it seems entirely appropriate (I subsequently learn that the organist was distracted by the thundering down the aisle of Someone on A Mission and had to go where a wrong note took him) and the melody emerges, intact and serene, just in time for the final quiet cadence.

I am now in a place where anything can happen; the gloom has been dispelled and the transfiguration is possible. And reflecting on the experience, and the prayers and farewells and greeting of long-missed friends that took place when the Mass was over, I note that we need this variety. We need joy and noise and exuberance, and we need silence and mystery.

And somehow, in the profound silence, there is music at the very heart of things.

Cool St George's

As it's Sunday, and as it's a day when my own little church seemed the only place to be, with great singing, good silences and considerable warmth (and not just because we put the heating on for the first time in months!), I find myself reflecting on my church experience last week, in Barcelona. I feel a vivid present coming on ...

The taxi drivers have been really challenged by our need to find the Anglican church in Barcelona. Indeed, some of us might have plumped for the Cathedral, but mindful of the sense of duty of at least one of our number we've gone ex-pat English and find ourselves ploughing up a hill in the Bearsden of Barcelona, surrounded by pretty houses and walled gardens. A sign, in English, reassures us that we are indeed in the right neck of the woods for St George's, and, only slightly late, we abandon our church-free comrade and head into the white, shade-surrounded building from which the sound of singing and guitar can already be heard. We find a pew at the rear, occupied by only one person, and slide in. Four of us. Note this: we are not invisible. The service hasn't really begun - they're just singing. The words, along with pretty slides, are projected on the white wall, but we know none of the songs and remain silent.

The chaplain is wearing an ordinary blue striped shirt with a dog collar. He is playing a guitar, which he puts down in between the (frequent) singing breaks. He opens the service, and we find our way to the correct bit in the laminated sheet. The liturgy is at once familiar and strange. Big chunks of what I am accustomed to appear to be missing, including a bit of the Consecration Prayer. It is all very evangelical - and yet, when we come to the Peace, no-one so much as acknowledges that we're strangers. The Intercessions are of the kind I use for my spoof worksheets on "Not the Intercessions" - I could make up a whole new lesson based on this example. The lady in question obviously doesn't know that God is omniscient. She also takes the chance to read a big chunk of the Bible in mid-intercession. I take to reading the pew leaflet. We are encouraged to indicate whether we'd prefer wine or non-alcoholic, wafer or bread. But there is no indication of how to achieve this, so we line up for communion in hope that the handsomely ancient-looking chalices hold the real stuff. The bread is a dire warning - a small fragment of pitta bread clings forlornly to the palate. The chalice holds something with ... bubbles. It tastes like Ribena. We sit down again.

By the time the Sunday School have sung a song to demonstrate how they spent their time, and two notices have taken ten minutes and have included, somehow, a puff for a travel guide, we have had enough. We have someone waiting outside and we've been here for almost 90 minutes. We know they will sing again. It is time to go. On the way out, we avail ourselves of their pristine facilities and reflect that whatever we think about the service this church, unlike ours, has a loo.

In short, it was a dire experience. The prayers - implying the Godlessness of Barcelona - made us think that if you weren't 'wanny us' you were doomed. It was Little England, with a touch of the USA abroad. One woman followed us out as we left - "will you not be coming for coffee?" We pointed out that it was rather a long service, and were told that it was because they loved being together. We smiled, nicely, and said it was rather longer than we were used to and we had obligations elsewhere. But this was the first smile, the first acknowledgement of our presence in this church - four of us, mind.

I suspect I sound like a girn. But if this was my first experience of church, of Christianity, it would also be my last. How many people have such an experience? Let's make sure that they never, ever, have it anywhere we worship in. And let's make sure that the stranger in our midst is welcomed, warmly and genuinely.

Even if she does arrive late.

Church must have ...?

I've been taking part in what one commenter dubbed a blogalogue over on Jim Gordon's excellent blog, and feel driven to do a little exploring among some of the distinctive features of my own brand of Christian practice - or maybe, more accurately, among my feelings about them.

Not having been brought up an Episcopalian, I was captivated at first by the experience of singing in the incense-tinged, lovely acoustic of the Cathedral of The Isles, Cumbrae. At first there was no belief, just the music, the beauty, the silence in the spaces, the wisdom of the old Dean, George Douglas. Belief came unsought - and I have always considered that these first factors produced the open-ness of the soul that made belief possible. A sense of mystery, of otherness, of possibility - and for me, an experience quite unlike anything in my Presbyterian upbringing.

So from this period, I would perhaps have said that for me, the things I had to have in my church life were beautiful music, preferably Byrd or Tallis, preferably with me involved in the singing of it; the 1970 liturgy - or even the Prayer Book; incense at the Eucharist; preaching of the highest order (but in 10 minute doses), and silence - profound silence. No chat before or after the service, no children, but high seriousness of purpose and demeanour. And certainly never, ever, a happy-clappy worship song - and note the pejorative description.

Things change as we grow older, and in the intervening 36 years since my confirmation I've come to realise a thing or two. For example, I understand more about my attitude to music. I'm still completely spoiled by having really good organ music when I'm in church (it helps if you marry the really good organist), but we haven't had a regular choir in 20 years and I now know (a) that singing with a good group is a huge privilege but (b) that I can worship with music just as well from the body of the congregation. But if the organist is incompetent at leading the congregation - and some well-qualified organists are terrible - or if the congregational singing is of the baying/dragging/out-of-tune variety, I'd rather go to a said service.

I'd chuck out big chunks of Victorian stuff from the hymn book these days, having discovered the power to move of some modern songs - though some of them would move me right out of the door. So despite my hair-tingling recollection of the first time I sang Let all mortal flesh keep silence, my list of absolute must-haves in music has altered over the years. Similarly, I've learned to place more store by modern liturgical language, though I still love the psalms in their prayer-book version. And Compline as found in the prayer book is a joy - especially if you throw in plainsong - though one I rarely experience. So I guess I'd go for set liturgy as a must-have, but a variety of language, as long as it is beautiful and poetic. And the central must-have of all is the communion, that meeting-point of heaven and earth, beyond rational explanation.

So what's left? Incense and silence. Silence is easy. I love it. I need gaps for things to happen in - gaps in intercessions, between readings, in the middle of the Eucharistic prayers, before a service. Yes. Let's keep silence. And incense? We had glorious incense today, Pentecost, but it has become a rare treat for high days and holidays. I think that's fine too - but the mystery of the symbolism and the antiquity of the ritual seem to me to provide a bridge between past and present, earth and heaven, humanity and God. I wouldn't turn from ecumenism for the sake of incense, but it'd be a missing element, a regret for something lost.

So I suppose I arrive at a situation where I want to share conversation, fellowship, love with Christians from other traditions, but need my own traditions of worship on a regular basis, complete with the Eucharist. Presumably this is what keeps us in our various ruinous buildings, each in our own small corner, struggling to find clergy and cash. And yes, this is diversity rather than division, but maintained at a cost that might finish us all off. And that would be sad, no?

Thought for the day

Now here's a thing. Take a small pisky church, inconveniently if picturesquely sited on a small hill at the very back of a seaside town (you've had this description before, but I need to re-emphasise certain features of the situation). Take a small but stable/growing slightly congregation which is in the limbo (known as interregnum by the optimistic and vacancy by the rest) caused by the translation of the former incumbent (not dead, merely departed). Take the gradual metamorphosis of some members of that congregation from pew-fodder to worship leader ...

So far so good. We like to see thoughtful and committed church folk taking responsibility for their patch, growing where they're planted and all that. But when the robed ones who on any one day are planted firmly in the holy end (Larkin's phrase, not mine) turn out to be two thirds of the people who actually (a) know the hymns and (b) can be heard behind the proverbial bus ticket ...

You get the picture. Today I felt I was a lone voice, singing away - and was, in actual fact, a lone voice in the post-communion hymn, despite the twenty or so folk behind me. But I enjoyed preaching about angels - maybe some of them had a wee song too.

Milestones, not millstones

Sometimes you realise you've passed a milestone when it's already in your past. Other days, there's that sudden excitement when you realise that this, this very moment, constitutes such a marker. And today was such a day. Our little congregation has come so far, and today a new lay leader presided over a service of communion from the reserved sacrament for her first time. She was outwardly serene and calm, and the support from the twenty or so in the congregation was tangible. And I found as I preached a sermon over which I worried I might not have spent enough time that it flowed irresistibly from the bullet-pointed list I'd prepared and I was enjoying myself.

We are not yet without a priest, but the vacancy will be upon us before we know it. It's going to be interesting, and on today's showing, exciting. But I'm even more convinced that we shall never be able to go back to the way we were. Father will never know best again.